Paraphonic Analog and Semi-Modular Synthesizer with Dual 3340 VCOs, Multi-Mode VCF, 2 ADSRs, BBD Delay and Overdrive Circuit in a Eurorack Format
- Paraphonic synthesizer with authentic dual 3340 analog oscillators for insanely fat music creation
- Pure analog signal path based on legendary VCO design to recreate classic sound performance
- Semi-modular architecture with default routings requires no patching for immediate performance
- Oscillator waveform control blends seamlessly between 5 shapes (tone mod, pulse, sawtooth, triangle, sine)
- Individual pulse width / tone mod control provides ultimate sounds
- Paraphonic mode allows both oscillators to be independently controlled
- Self-oscillating, multi-mode VCF with dual output (e.g. LP+HP available on jacks)
- 2 analog ADSR generators for modulation of VCF and VCA
- Multiple stage analog delay based on legendary BBD (Bucket Brigade Delay) technology
- Flexible LFO with five waveform shapes, MIDI clock sync and key sync
- Noise generator dramatically expands waveform generation
- Overdrive circuit adds rich analog warmth and edge to your sounds
- 36 controls and 7 buttons give you direct and real time access to all parameters
- Utility functions including attenuators, multiples, slew rate limiter and summers for creative patching flexibility
- 32 in / 24 out jack matrix for an incredible amount of patching options
- Patchable audio-rate sample and hold with glide for added creativity
- Powerful headphone output with dedicated level control
- External audio input for processing external sound sources
- Comprehensive USB/Midi implementation for connection to keyboard/sequencer
- 3-Year Warranty Program*
- Designed and engineered in the U.K.
A Brief History of Analog Synthesis
The modern synthesizer’s evolution began in 1919, when a Russian physicist named Lev Termen (also known as Léon Theremin) invented one of the first electronic musical instruments – the Theremin. It was a simple oscillator that was played by moving the performer’s hand in the vicinity of the instrument’s antenna. An outstanding example of the Theremin’s use can be heard on the Beach Boys iconic smash hit “Good Vibrations”.
Finding a high level of acceptance in the 1960s, Harry Chamberlin’s Mellotron was an electro-mechanical keyboard that generated sounds by playing back pre-recorded tape loops. Although tempermental and prone to pitch and mechanical issues, the Mellotron was used extensively by many U.K. artists. Classic tracks from the Moody Blues “Days of Future Passed”, the Beatles “Strawberry Fields Forever”, and the Rolling Stones “She’s a Rainbow” are prime examples.
Attribute author: By Buzz Andersen from San Francisco, California, United States Mellotron | NAMM 2007
Manufactured by ARP Instruments, Inc., the Arp 2600 was one of the most successful synthesizers to come out of the 1970s. They were ideal for players new to the synth world, and allowed patches to be changed via switches or 1/8" audio cables. The list of recordings and artists that used the venerable Arp 2600 reads like a veritable Who's Who of rock, pop and jazz, and includes The Who, David Bowie, John Lennon, Depeche Mode, Edgar Winter, Frank Zappa and Herbie Hancock – to name just a few. An Arp 2600 was even used to create the voice of the Star Wars character R2-D2.
Attribute author: The original uploader was Kimi95 at Italian Wikipedia - http://www.vintagesynth.com/arp/arp2600blue.jpg e http://www.vintagesynth.com/arp/arp.php, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=7708499
*Warranty details can be found at musictri.be.